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The studio

Twenty-two years of work that stays on the wall

We started in 2004 with a single engraving machine. Since then we have added six production methods, thousands of orders and more than a few changes of committee — and the first boards are still hanging.

Most of the work that leaves here is not bought for its own sake. A donor board goes up to say thank you. A memorial plate goes up so a name is remembered. An award is handed over on an evening someone spent a month preparing. That asks for a different standard of accuracy than an off-the-shelf product.

So we work differently. The wording is checked before it is engraved, even when it arrives ready. The material is chosen for where the piece will stand — a board that hangs outdoors is not made like one in a corridor. And all six production methods live here in the studio, so there is never a moment when a job leaves our hands for a subcontractor and control goes with it.

What changed this year is how you order. Instead of a round of emails with attachments, you can now pick a product, place the logo or the wording yourself, see a faithful preview of the result and order on the site. The work itself is done exactly as before — you just get to see it before it starts.

Since 2004
A craftsman's hands working with a fine tool
Hand work in the studio
Hand tools arranged on the studio wall
The tools we reach for every day

Four things we do not compromise on

  • Proofing before production

    On memorial and dedication work we read the wording ourselves. If a name looks wrong or a date does not add up, we stop and ask.

  • Material suited to the place

    Sun, rain, hands touching it. We will tell you up front if the material you picked will not survive where it is going.

  • Everything under one roof

    Six production methods in our own studio. No job goes to a subcontractor, so there are no excuses and no surprises.

  • From a single piece

    No minimum quantity. One item gets the same check and the same proofing as a run of a hundred.

22 years
in engraving and signage

Since 2004 — same studio, same standards

6 methods
under one roof

Engraving, cutting, UV, sublimation, CNC, vinyl

9 materials
wood, acrylic, glass, metal and more

Every material behaves differently. We know how

1 piece
minimum order quantity

A single item or a full run, same attention

FAQ

What people ask before a first order

PNG, JPG, SVG or PDF. For engraving a vector file (SVG or PDF) is better — it cuts at full accuracy at any size. If all you have is an image, the editor checks the resolution live and warns you before you order if it is too low for the size you picked.

Send us whatever you have on WhatsApp or by email. In most cases we can rebuild the logo as a clean vector file, and from then on it serves you for every future order.

Yes. Laser engraving burns the lettering into the material, so it cannot peel or rub off. UV printing and sublimation give a durable layer, but for exterior signage or a board people touch often we will steer you to engraving.

Yes. There is no minimum quantity. A single piece gets the same file check and the same proofing as a run of a hundred.

The production time is shown on each product page, because it changes with the method and the material. If you have a date to hit — an awards evening, a building dedication, the start of the school year — write to us before ordering and we will tell you up front whether it is realistic.

The wording you see in the preview before payment is the wording that gets engraved, so it is worth reading twice. On memorial and dedication work we also proof the names ourselves and come back to you if something looks wrong.

Yes. For bulk orders you can order a single unit first, hold it in your hand, and only then order the rest.

Courier to your door, Israel Post, or collection from the studio. You choose at checkout.

Start with the design. We handle the rest.

Pick a product, upload a logo or the wording, and see exactly how it comes out before you order.

From one piece · 6 production methods · 22 years in the trade